I’ve long been interested in the connections between music and spirituality – however you choose to define it. I don’t pretend to have any spiritual answers, or even any concrete beliefs. However, I do find that in my own experience, it’s impossible for me to separate music from life. Issues and questions I have outside of music inevitably find their expression in my composition or improvisation. In fact, I think music can serve as the perfect laboratory for observing and learning about oneself, and an excellent and worthwhile way to practice living a spiritually-fulfilled life. Through studying and making music, it’s possible to also learn about the creative process, perseverance and discipline, ego and fear, ethics and integrity, collaboration and altruism, and the quest for meaning.
If music were a spiritual university, stage-fright and career-jealousy could be the introductory courses “Ego 101/102”. Your teacher could mark you down a whole letter grade in “Basic Decency in the Contemporary Rock Band” if you didn’t help the drummer pack up after the gig. And your GPA would be based not on how well you play your instrument but on how how pure your relationship to it remained…the day you learned to play like it like a complete beginner, you would graduate.
Anyway, here are few gems I’ve found online – some clips of a few of my favorite musicians sharing their own thoughts on music and spirituality. Hope you find some inspiration in these clips, and feel free to ignore the parts that don’t appeal to you and reinterpret the parts that do. Continue reading →
It has been a troubling and depressing week for many of us in the US as we reckon with the results of last Tuesday’s election. It’s made it hard for me to focus on music. And when I do think about music, I find myself taking a step back and contemplating: what exactly is music for? What does it mean to people who are engaged in a struggle simply for existence, dignity, material comfort and self-determination? I think one of the reasons jazz is so powerful because it is an art form that is by definition an act of resistance. It was created by largely self-taught descendants of enslaved Africans on Western instruments (that originated in European classical and marching band ensembles), and these people poured into their foreign tools their entire souls and intellects, often at great personal risk. They forged a unique aesthetic that was at once fiercely modern and virtuosic and thus demanded respect, but also often witty, tragic, sophomoric, romantic, angry, sensual, and vulnerable – in other words fully human. In a society that constantly denies one’s humanity, that in itself is a miraculous and heroic act of anti-colonial liberation through sound. And I think one of the reasons that we as Americans of all races treasure jazz so much is because that the music, at its core, is really a vital source of healing for an embattled and oppressed community. It’s deeply spiritual kind of medicine, created by and for one group of people (with lots of crucial contributions by people of other races) – but its healing spirit is accessible for everyone.
As Amiri Baraka (LeRoi Jones) said, “Negro music is essentially the expression of an attitude, or a collection of attitudes, about the world, and only secondarily an attitude about the way music is made…This music cannot be completely understood (in critical terms) without some attention to the attitudes that produced it.” In that spirit, and given that the attitudes that produced jazz are more relevant than ever right now, I have compiled 5 classic jazz songs of protest and resistance, and a list of many more below that for further listening (though the list is by no means comprehensive.)
From Bitch Media, here’s an interview with Courtney Bryan, composer of a work dedicated to the memory of Sandra Bland, a Black woman who was found hanged in her jail cell in Texas in 2015. The piece, called “Sanctum”, was a commission for an activist orchestra called The Dream Unfinished, which premiered the work in a concert last summer.
I love the use of extended techniques to give the orchestra some fresh new colors, and the bluesy phrases based on the pentatonic scale which recall John Coltrane’s “A Love Supreme.” (That may or may not have been intentional…) The work as a whole has a meditative, almost sacred quality, even though the subject matter is so raw, full of anger and heartbreak.
For more, here’s a list of 10 Black composers to check out. (Guardian)