“Amor Che Attende”

One of my favorite things about film scoring is getting to compose in so many different styles of music. I love discovering artists or genres, delving deeply into them and trying to find my voice in a new musical language. One example of this was a cue from a short film I did a few years ago, in which I did my best imitation of a classic 19th-century Italian opera aria. I asked an Italian composer friend (Vincenzo Marranca) to write the lyrics, and had the privilege of recording the excellent soprano Allie Tyler for the vocals. While I think I’ve become much better since then at sequencing realistic orchestral textures, I’m still pretty proud of this little tune. Check it out:

Here is the leadsheet, for those of you who are curious. And here are the lyrics in Italian and English:

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#BlackLivesMatter meets Classical Music

From Bitch Media, here’s an interview with Courtney Bryan, composer of a work dedicated to the memory of Sandra Bland, a Black woman who was found hanged in her jail cell in Texas in 2015. The piece, called “Sanctum”, was a commission for an activist orchestra called The Dream Unfinished, which premiered the work in a concert last summer.

I love the use of extended techniques to give the orchestra some fresh new colors, and the bluesy phrases based on the pentatonic scale which recall John Coltrane’s “A Love Supreme.” (That may or may not have been intentional…) The work as a whole has a meditative, almost sacred quality, even though the subject matter is so raw, full of anger and heartbreak.

 

For more, here’s a list of 10 Black composers to check out. (Guardian)

And another list of 10 Black women composers. (Bitch Media)