“Amor Che Attende”

One of my favorite things about film scoring is getting to compose in so many different styles of music. I love discovering artists or genres, delving deeply into them and trying to find my voice in a new musical language. One example of this was a cue from a short film I did a few years ago, in which I did my best imitation of a classic 19th-century Italian opera aria. I asked an Italian composer friend (Vincenzo Marranca) to write the lyrics, and had the privilege of recording the excellent soprano Allie Tyler for the vocals. While I think I’ve become much better since then at sequencing realistic orchestral textures, I’m still pretty proud of this little tune. Check it out:

Here is the leadsheet, for those of you who are curious. And here are the lyrics in Italian and English:

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Film Score of the Month: “Moonlight”

This movie is so beautiful – please watch it if you haven’t already. Here are a few of my thoughts on the score by Nicholas Britell:

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“Alone in the Wilderness”

This is a track I originally produced for an experimental short film about a man attempting to deliver a pizza to an address that doesn’t exist. It was a blast to compose, and very different from my other work, so I thought I would share a little about how I made it. Continue reading

TV Score of the Month: “Stranger Things”

 

Like everyone else on the planet, I’ve been geeking out over Kyle Dixon and Michael Stein’s score for the Netflix series “Stranger Things.” An homage to the works of classic 80’s artists and composers like Giorgio Moroder, Jean-Michel Jarre, Tangerine Dream, Vangelis, and John Carpenter, the score is full of the warm, nostalgic sound of analog synthesizers, and is an impressive piece of dramatic storytelling. Continue reading